Haunted History

I was drawn to the structure because of the mysterious upper porch in the shadows. This painting is part of my Charleston, South Carolina series of structures and people.

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Listen Bro

One of our twins trying to talk to the other while I am taking photos of them. The sketchbook practice has been very influential in my more serious work. I feel as if it has freed me to play and experiment more.

Off Road

The sketch that inspired this painting was done from the passenger seat of Pam's car.

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Unstable Storm

This is an older painting that was inspired by northern California. Its an oil on copper piece. I was taken with how the storm stirred up the surf and the sturdy rocks.

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Garden Glads

Another painting inspired by Pam's gardens. These gladiolas were growing out front. I liked the new blooms and the variations in color on the petals.

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Austin Spring Light

This painting is finally ready for a new home. When you paint on copper you have to make sure that the painting is protected from the elements. When dry, it has to be treated with a combination of Galkyd and odorless mineral spirits. I made this painting at the botanical gardens here in Austin. One of many painted there. I was attracted to the spring light on the path and trees.

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Transformer Sunset

I painted this little piece while standing in Pam's kitchen looking out the window. I like including transformers as they are part of the landscape and are evidence of humans. I was attracted to the colors of the sky as the sun was setting.

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Diners Needed

When I had to give this painting a name I immediately thought "no cows". Thus the title. Those of you who follow this blog know that I love hay bales. When I was home recently I actually stood out in the bot sun to sketch hay bales. I was drenched in sweat when I got back to my car. Yes I wore a hat. The scene is from Northeast Texas. I like how the copper peeps through the paint.

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